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English Literature books summaryby hunger, thirst, and panic; he still hopes for the razor blade; his thoughts of Julia are distant and cannot compete with his fright of the pain he knows he will be suffering. The door opens again, and O'Brien enters. Winston is shocked into forgetting the telescreen for the first time in years. "They've got you too!" he exclaims, to which O'Brien replies, "They got me a long time ago," and steps aside to reveal a guard with a truncheon. O'Brien was not, after all, the co-conspirator Winston had thought; but somehow, now, he sees that he has always known this was the case. This thought flits through his mind almost unnoticed as he watches the guard's truncheon.. The blow falls on Winston's elbow and he is blinded by pain. Writhing on the floor, he cannot think of anything except that there are no heroes in the face of pain. Chapter 2 Summary: For an indeterminate amount of time, Winston has been tortured, first with frequent and vicious beatings, then with extensive interrogations where the nagging of his questioners wore him down even more than the beatings. He has confessed all manner of impossible crimes and implicated everybody he knows. His memories are discontinuous and in some cases hallucinatory. Through it all he has the sense that O'Brien has been in charge of his life in the Ministry of Love‹that O'Brien dictates when Winston shall be tortured and fed. Winston is not sure when it was, but he recalls hearing a voice telling him not to worry, because "I shall save you, I shall make you perfect." Winston is not certain whether it is O'Brien's voice, but it is the same voice he heard in his old dream. Winston drifts into a consciousness that he is in a room with O'Brien, strapped to a bed. O'Brien is in control of some sort of pain-generating device which will play a part in the current interrogation. O'Brien begins by telling Winston that he is insane because he does not have control of his memory, and that he recalls false events. He mentions the photograph of Jones, Rutherford and Aaronson as a hallucination Winston has had‹and then holds up the very photograph. Before Winston's eyes, O'Brien proceeds to dispose of the photograph through a memory hole and immediately deny that it ever existed. Winston feels helpless because he realizes it is quite possible that O'Brien is not lying, that he in fact believes that the photograph never existed. They talk about the nature of the past and reality; O'Brien tells Winston that reality exists only in the mind of the Party, and that Winston has got to make an effort to destroy himself in order to become "sane." He then asks Winston if he recalls writing in his diary that "Freedom is the freedom to say that 2 + 2 =4," and this touches off a whole round of torture. O'Brien holds up four fingers and asks Winston how many there are, if the Party says there are five. Winston, for a long while, can only see four, and suffers increasing levels of pain for it. O'Brien does not accept Winston merely saying that he sees five; he has to actually believe it. At last, Winston's senses are so dazed by pain that he is no longer sure how many fingers there are. O'Brien allows him a respite (for which Winston is lovingly grateful), and asks him why he thinks people are brought to the Ministry of Love. When Winston guesses that it is to make people confess or to punish them, O'Brien suddenly becomes quite animated, and almost indignant in his explanation. The point is not to hear about or punish petty crimes; it is to actually change the Party's enemy, i.e. to empty him of himself and his dangerous individualistic ideas, and to fill that void with the Party. This precludes the possibility of martyrdom and the subsequent threat of people rising up against the Party later. Even Jones, Aaronson and Rutherford, O'Brien tells Winston, were in the end filled only with penitence and adoration of Big Brother. Winston feels that O'Brien's mind contains his own, and is not quite sure which one of them is mad, though he thinks it must be himself since it doesn't seem likely that O'Brien is. O'Brien looks down at him sternly. He tells him, "What happens to you here is for ever. . . . Things will happen to you from which you could not recover, if you lived a thousand years." These things, notably, will wipe out all human feeling from Winston‹in other words, they will take away his humanity, and he will be nothing but a shell filled with the Party. At this point, Winston is hooked up to another device which does not pain him but seems to knock out some part of his brain, so that for a short while he can remember nothing of his own accord but merely takes, and believes, whatever O'Brien tells him to be truth. The effect wears off, but it has made its point: that it is, in fact, possible for the Party to get inside him and make him believe its truth. The session is drawing to its close, and O'Brien mentions how he agrees with Winston's diary entry about how it doesn't matter whether O'Brien was an enemy or a friend because he could be talked to. Magnanimously, he allows Winston to ask any question he desires; but his answers are yet cruel, "truthful" only in the sense that they reference the Party's truth. Winston realizes suddenly that O'Brien knows what he is going to ask, and he does: "What is in Room 101?" But O'Brien merely responds that everyone knows what is in Room 101, and Winston is put to sleep. Chapter 3 Summary: Some time has passed. After innumerable sessions with O'Brien, Winston has completed the first "stage in his re-integration"‹learning‹and O'Brien judges that it is time for him to move on to the second, understanding. O'Brien quotes Winston's diary entry about understanding "how" but not "why." He mentions Goldstein's book, informing Winston that he was one of the people who wrote it, and that it is true as a description of the world but that its discussion of insurrection is nonsense and impossible; the Party, he says, will rule forever, and Winston must get that into his head. That said, he turns to the question of why the Party holds onto its power. Winston answers incorrectly and suffers for it. O'Brien answers his own question: "The Party seeks power entirely for its own sake." Power is defined as something that must be collective, and as power over human beings. Almost as an aside, O'Brien says the Party already controls matter. Winston, roused, argues that they do not, but O'Brien silences him using plenty of doublethink, and returns to the idea of holding power over men. Since power over others depends on making the subject suffer, the Party's view of the future is a world based upon hatred, fear, and destruction. All instincts of love and beauty will be eradicated and only power, ever more refined and absolute, will remain. Winston, horrified, again attempts to argue against the possibility that such a world could ever last eternally. When O'Brien asks why Winston thinks it should fail, he cites his belief that the spirit of man will prevail. Ironically, O'Brien asks Winston if he thinks he is a man. Winston replies that he does. O'Brien tells him that he must be the last man, and bids him take off his clothes and go look in the mirror at the end of the room. When Winston sees himself, he has a nasty shock. He is a skeleton, dirty, broken, disgusting. He is, as O'Brien cruelly emphasizes, falling apart. He breaks down into tears. Once again, O'Brien's manner changes to near-kindness, as he tells Winston that he can get himself out of this state because he got himself into it. He lists the humiliations Winston has suffered, and asks him whether there is a single degradation he has not experienced. Winston looks up and replies that he has not betrayed Julia. O'Brien seems to understand this, and agrees, looking at Winston thoughtfully. Far from taking this as any sort of hint, Winston is flooded with his old worship of O'Brien, almost grateful that he has understood without explanation. Chapter 4 Summary: More time has passed, and Winston is no longer being tortured. In fact, he is being fed and kept clean and allowed to sleep. At first he is only interested in sleep and no conscious mental activity; he dreams abundantly, always happy peaceful dreams, with Julia, his mother, or O'Brien‹the three people he cares about. Gradually he grows stronger, though he is shocked at how weak he had become. Correspondingly, his mind becomes more active, and he sits down to try and re-educate himself. He reviews everything he has been told, writes down Party slogans and falsities such as "2 + 2 = 5," all the while reflecting how easy it has been to mentally surrender, to "think as they think." Still, he is troubled by some mental objections, and tries to practice crimestop, which is the conscious stopping of thought before it leads you into thoughtcrime. He finds that it is difficult to attain the stupidity necessary to avoid seeing blatant logical flaws. At the back of his mind, he wonders how soon he will be shot. The only thing he knows is that they always shoot you in the back of the head. Winston has a dream or reverie in which he is walking down the corridor, waiting to be shot, feeling happy and at peace. He walks into the Golden Country.. Suddenly he bolts awake, having heard himself cry out longingly for Julia. He had had a fleeting sensation of her being inside him, and at that moment had loved her more than at any previous moment. Somehow he feels she is still alive and that she needs his help. Despairing, Winston lies back, waiting for the tramp of boots in the corridor. His thoughtcrime sprang from the fact that while he has tamed his mind to the Party, he has tried to keep his innermost self‹his heart‹away from them. He wonders how much time he has added to his torment by the cry. Rebelliously, he decides to lock his hatred of the Party so far inside him that it is even a secret from himself, and envisions the final moment where, just before the bullet hits him, all his hatred would explode. This, he feels, is the last avenue of freedom open to him: to have his final heretical thought right before their bullet reached him. But this will be difficult. He thinks of Big Brother and wonders what he really feels toward him. O'Brien enters at that moment with an officer and guards. He orders Winston to stand up and examines him. He asks Winston what he feels towards Big Brother. Winston replies that he hates him. The last step, O'Brien tells him, is to learn to love Big Brother, and he orders Winston to be taken to Room 101. Chapter 5 Summary: Winston has been taken to Room 101 and strapped into a chair. O'Brien enters and tells him what is in Room 101: the worst thing in the world, which varies between individuals but is always something unendurable to the person in the chair. For Winston, it is rats. A mask with a cage attached to it is brought in. From its construction, it is clear that the mask is designed to fit over Winston's face, and at the pulling of a lever, the rats inside the cage‹enormous, ravenous brutes‹will be free to attack him. O'Brien casually mentions Winston's recurring nightmare, and tells him what he already knows: that behind the dark wall of his nightmare were rats. Winston, beyond panic, begs O'Brien to tell him what he wishes him to do. O'Brien does not answer, but engages in a sort of ponderous mental torture by bringing the contraption closer and pedantically musing on rats. Winston's terror increases, but at the last moment it occurs to him what must be done, and that is to beg that this be done to Julia rather than to him. He has saved himself; O'Brien shuts the cage door rather than opens it. Chapter 6 Summary: It is 15:00 and Winston sits alone in the Chestnut Tree Cafe. He is anxiously listening for news of the war with Eurasia. However, Winston is not able to keep his mind on one topic for very long these days, and he gulps down his glass of clove-flavored gin. He is fatter and pinker now‹to the point of looking unhealthy. Without being asked, a waiter brings him the current issue of the Times, opened to the chess problem, and a chessboard; he sees that Winston's glass is empty and refills it. The waiters know Winston's habits and bill him irregularly (and, he suspects, they undercharge him), though with his new higher-paying job this wouldn't have presented a problem either way. An announcement from the Ministry of Plenty reveals that Oceania is in the midst of the Tenth Three-Year Plan. Winston starts to attack the chess problem. The telescreen announcer advises everyone to listen for an important announcement at 15:30, which Winston knows must be about the fighting in Africa. He has the sinking feeling that it will be bad news; the thought that this could lead to the end of the Party triggers a powerful but unclear reaction in him. He imagines a mysterious force assembling to the rear of the Eurasian army, cutting off its communications, and feels that by willing it he can bring that force into existence. His thoughts wander; almost unconsciously he traces the equation "2 + 2 = 5" on the table. He recalls Julia saying "They can't get inside you," but knows she is wrong; he remembers O'Brien saying "What happens to you here is for ever," and knows he is right. He had encountered Julia one freezing, dead March day in the Park. Knowing that the Party no longer cared about what he did, he had followed her, but not very eagerly. Something about her had changed. She had not been particularly excited about having him around, but resigned herself. They walked. He had put his arm around her waist; she did not respond. He had realized that the change in her was not so much the scar across her face or her pallor, but that her waist had thickened and stiffened into something like a corpse or marble. They did not speak or kiss. When Julia looked at him, it was with contempt and dislike. They seated themselves on a bench and finally Julia had said, "I betrayed you." He told her he had betrayed her as well. From her explanation‹that they threaten you with the unendurable and you place your loved one inside it instead of yourself, thereby changing forever how you feel about the person‹it seems apparent that she, too, had been taken to Room 101. There was nothing more to say, and they had parted uncomfortably, with empty words about meeting again, but really only the desire to get away from one another. Recalling Julia's words about betrayal, Winston reflects that he had really wished for her to be devoured by the rats instead of himself‹but before he can even get to the word "rats" in his thoughts (which we know he will never do anyway), a voice from the telescreen starts to sing, "Under the spreading chestnut tree, I sold you and you sold me . . ." Winston's eyes fill with tears. A waiter passes by and refills his glass; he thinks about how dependent he has become on gin, drinking it every hour of the day. No one cares how he spends his days. His "job" involves dealing with trivialities that arise from the current work being done on the Eleventh Edition of the Newspeak Dictionary. His sub-sub- committee consists of four other people like himself. He thinks briefly again about the struggle in Africa, then picks up a chess piece, and somehow triggers a memory of his childhood. His mother, after entreating him to be good, had bought him the game Snakes and Ladders, and although he had not been interested in it at first, he was soon captivated, and the three of them had a happy, enjoyable afternoon. Recalling himself, Winston shakes this off as a false memory, and is picking up the chess piece again when a trumpet-call from the telescreen startles him. The trumpet-call always signifies a victory, and excitement spreads through the cafe and the streets like wildfire. The announcement is that the very strategy Winston had imagined has taken place, utterly defeating Eurasia and giving Oceania control of all of Africa. Caught up in the excitement of this news, Winston looks up at the portrait of Big Brother, overwhelmed, and feels the "final, healing change": He loves Big Brother. Appendix Summary: The Appendix details the underlying principles of Newspeak (essentially that it was designed to limit the range of thought), and details the word classes as follows: The A vocabulary consisted of everyday words used in the expression of simple thoughts, usually involving concrete objects or physical actions. The B vocabulary consisted of words created to hold political connotations and impose a politically desirable state of mind upon the user. These were all compound words, like "Ingsoc" or "doublethink." Many meant the opposite of what they really were, in keeping with the concept of doublethink. The C vocabulary consisted of scientific and technical terms which it behooved no one but scientists and technicians to use. The grammar of Newspeak had two notable characteristics: There was an almost complete interchangeability between different parts of speech. A noun and verb were basically the same, and formed the root for all other forms of the word. Adjectives were formed by tacking "-ful" onto the end of the word; adverbs, by adding the suffix "-wise." Any word could be negated by the prefix "un-," and other prefixes like "plus-" and "doubleplus-" could strengthen the word. The grammar was exceedingly regular, with very few exceptions. All past tenses were formed using "-ed," all plurals with "-s" or "-es," and comparatives with "-er" and "-est." Euphony was privileged above everything, including grammatical regularity, except precision of meaning. This is because the end goal was to produce words that could be spoken so quickly that they would not have the time to prompt thought; in other words, so that people could speak without thinking at all. The meanings of Newspeak words were carefully controlled so that in many cases most connotations were destroyed. For instance, the word "free" still existed, but only in the sense of something being "free from" something else, e.g. "This field is free from weeds." It could not be used with reference to political freedom, as this meaning had been drilled out of the word. This also precluded the ability to argue heretical opinions. Though, for instance, it would have been possible to say "Big Brother is ungood," there were not the words necessary to defend or argue this assertion. Through this process, Oldspeak would become not only obsolete but impossible to understand or translate, since its words hold meanings and can express ideas that would be inexpressible in Newspeak (except using the single word "crimethink"). Animal Farm by G.Orwell Chapter One: Summary As the story opens on Mr. Jones's farm, the farm animals are preparing to meet after Mr. Jones goes to sleep, to hear the words that the old and well-respected pig, Old Major, wants to say to them. The animals gather around as Old Major tells them that he had a dream the previous night and senses that he will not live much longer. As the animals prepare for his speech, the narrator identifies several of the animals which will become more important in the story: the cart-horses Boxer and Clover, the old donkey Benjamin, and Mollie the pretty mare. Before he dies, he wants to tell the animals what he has observed and learned in his twelve years. Old Major goes on to say that animals in England are cruelly kept in slavery by man, who steals the animals' labor and is "the only creature that consumes without producing". He describes his vision of an England in which animals are free and live in complete harmony and cooperation, free of the tyranny of man and his evil habits. Old Major tells the animals that they must all band together to fight the common enemy, Man, and rise up in rebellion when the opportunity comes. He exhorts them to remain true to their animal ways, and then leads them in a rousing song of revolution, called "Beasts of England". They are stirred into a frenzy by Old Major's speech and sing the song five consecutive times, until Mr. Jones stirs and fires a shot into the air to quiet them down. Soon the whole farm falls asleep. Chapter Two: Summary Three days later, Old Major dies and is buried. His revolutionary fervor lives on, and the animals begin to flesh in the revolutionary ideology with which they will overthrow Mr. Jones. Two of the pigs, Snowball and Napoleon, emerge as the leaders of the animals. Snowball is naturally vivacious, while Napoleon "has a reputation for getting his own way". Another pig named Squealer also becomes prominent for his persuasive speaking ability. These three pigs create a system of tenets and name it "Animalism," and begin imparting it to the rest of the animals, often simplifying and slowly reasoning with the less-intelligent animals such as the Sheep, or the frivolous animals, like Mollie the white mare. The cart- horses Boxer and Clover are the most responsive of all the animals, and Страницы: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47 |
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