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English Literature books summaryHenry. CHAPTER 11 For years afterwards, Dorian Gray continues to feel the influence of the book Lord Henry gave him. He gets more copies of the book from Paris and has them bound in different colors. He thinks of the book as containing the story of his life. He feels himself lucky to be different from the novel’s hero in respect to aging. While the novel’s hero bemoans his loss of youthful beauty, Dorian Gray never loses his youth. He reads the passages over and over again reveling in his difference from the hero in this respect. People in his social circle often hear dreadful things about Dorian Gray, but when they look at him and see his fresh, young looks, they dismiss the rumors as impossible. Dorian is often gone from home for long periods of time and never tells anyone where he has gone. He always returns home and goes straight upstairs to see the portrait’s changes. He grows more and more in love with his own beauty. He spends much time in a sordid tavern near the docks and thinks with pity of the degradation he has brought on his soul. Most of the time, though, he doesn’t think of his soul. He has "mad hungers that [grow] more ravenous as he [feeds] them." He entertains once or twice a month with such lavish fare and such exquisite furnishings that he becomes the most popular of London’s young men. He is admired by all the men who see him as a type of man who combines the real culture of a scholar with the grace of a citizen of the world. He lives his life as if it were an art work. His style of dressing sets the standard of all the fashionable shops. He worships the senses in many different forms. He lives the new Hedonism, that Lord Henry has told him of. He enjoys the service of the Catholic Church for its ritual and its pathos. Yet, he never embraces any creed or system of thought because he refuses to arrest his intellectual development. He studies new perfumes and experiments with them endlessly. He devotes himself for long periods to the study of all kinds of musical forms from all over the world. He even studies the stories written about the music, the stories of magic and death. He takes of the study of jewels for a while, collecting rare and precious jewels from all over the world for the pleasure of looking at them and feeling them. He collects stories about jewels as part of animals and stories of jewels which caused death and destruction. For a time, he studies embroideries of all sorts and the stories that attach to them. He collects embroideries and tapestries from all over the world. He especially loves ecclesiastical vestments. The beautiful things he collects are part of his methods of forgetfulness. He wants to escape the fear that sometimes seems to overwhelm him. After some years, he becomes unable to leave London for any purpose because he cannot bear to be away from the portrait for any length of time. Often when he’s out with friends, he breaks off and rushes home to see if the portrait is still where it should be and to ensure that no one has tampered with the door. He develops a desperate fear that someone might steal the portrait and then everyone would know about him. Most people are fascinated with Dorian Gray, but some people are distrustful of him. He is almost banned from two clubs. He is ostracized by some prominent men. People begin to tell curious stories about him hanging around with foreign sailors in run down pubs and interacting with thieves and coiners. People talk about his strange absences. He never takes notice of these looks people give him. Most of them see his boyish smile and can’t imagine that the stories could be true. Yet the stories remain. Sometime people notice women, who at one time adored him, blanch when he walks in a room in shame or horror. To most people, the stories only increase his mysterious charm. According to Lord Henry, society doesn’t care about morality in its aristocratic members, only good manners. Dorian Gray can’t imagine why people reduce human beings to a single, "simple, permanent, reliable essence." For Dorian, people enjoy myriad lives and sensations; they change radically from time to time. Dorian likes to look at the portrait gallery of his country house. He wonders about his ancestors and how their blood co- mingled with his own. He looks at Lady Elizabeth Devereaux in her extaordinary beauty and realizes her legacy to him is in his beauty and in his love of all that is beautiful. He also thinks of his ancestors as being in literature he has read. These characters have influenced him more even than his family members have. The hero of the central novel of his life has certainly been his greatest influence. He also loves to think of all the evil heroes about whom he has read: Caligula, Filippo, Due of Milan, Pietro Barbi, the Borgia, and many more. He feels a "horrible fascination" with all of them. He knows he has been poisoned by the French Symboliste book. He thinks of evil as nothing more than a mode of experiencing the beautiful. CHAPTER 12 It is the ninth of November, not long before Dorian Gray will turn 38 years old. He is walking home late one night when he sees Basil Hallward. He becomes suddenly afraid to have contact with his old friend whom he hasn’t seen in many months, but Basil sees him and stops him. Basil says he’s been waiting for him all evening and has just given up. He insists on coming back inside with Dorian because he says he has something important to tell him. Inside, Dorian acts as though he’s bored and wants to go to bed. Basil insists on talking. He says he is going to Paris in one hour’s time and will be taking a studio there for six months. He tells Dorian that he is always having to defend Dorian’s name wherever he goes. He thinks Dorian must be a good person because he looks so beautiful. He says he knows sin tells on people’s faces after a while, so he has a great deal of trouble believing the stories. However, the evidence has piled up and is quite compelling. He names several young men who have lost very promising reputations after being extremely close to Dorian. He names several young women, including Lord Henry’s sister, who have lost their reputations. Lady Gwendolyn, Lord Henry’s sister, has suffered such a fall that she is not even allowed to see her own children any more. He mentions the stories of people who have seen Dorian spending time in "dreadful houses" and in "the foulest dens in London." He mentions the stories of what happens at Dorian’s country house. Basil urges Dorian to have a good influence on people instead of a bad one. He tells Dorian that it is said that he corrupts everyone with whom he becomes intimate. He has even seen a letter shown to him by Lord Gloucester, one of his best friends, that his wife wrote to him on her death bed. It implicated Dorian Gray in her debasement. Basil sums up by saying that he doesn’t know that he even knows Dorian any more. He says that he can’t say without seeing Dorian’s soul and only God can do that. At his last words, Dorian goes white with fear and repeats the words "To see my soul!" He laughs bitterly and tells Basil that he will see his soul that very night. He will let Basil look on the face of corruption. Basil is shocked and thinks Dorian is being blasphemous. He stands over Basil and tells him to finish what he has to say to him. Basil says Dorian must give him a satisfactory answer to all the stories about him that very night. Dorian just tells him to come upstairs with him. He says he has written a dairy of his life from day to day and that it never leaves the room in which it is written. CHAPTER 13 The two men climb the stairs and Dorian lets Basil in the room upstairs. He lights the lamp and asks Basil again if he really wants an answer to his question. Basil does, so Dorian pulls the curtain from the portrait and shines the light on it, saying he is delighted to show Basil because Basil is the only man in the world entitled to know all about him. Basil cries out in horror when he sees the portrait. He stares at it for a long time in amazement, not believing at first that it is the same portrait he painted all those years ago. Dorian is leaning against the mantle shelf watching Basil’s reaction with something like triumph expressed on his face. Dorian tells him that years ago when he was a boy, Basil had painted this portrait of him, teaching him to be vain of his looks. Then he had introduced him to Lord Henry who explained to him the wonder of youth. The portrait had completed the lesson in the beauty of youth. When he had seen it in the first moment, he had prayed that he should change places with it, never changing and aging, but letting the picture do so. Basil remembers the prayer. He thinks, however, that it must be impossible. He tries to find some logical explanation for the degradation of the beauty of the portrait. He thinks perhaps the room was damp or that he had used some kind of poor quality paints. He says there was nothing evil or shameful in his ideal that he painted that day. This, instead, is the face of a satyr. Dorian says it is the face of his soul. Basil begins to believe it is true and then realizes what it means. It means that all that is said of Dorian is true and that his reputation isn’t even as bad as he is. He can hear Dorian sobbing as he begins to pray. He asks Dorian to join him in prayer. He says Dorian worshipped himself too much and now they are both punished. Dorian tells him it’s too late. Basil insists that it isn’t. He begins to pray. Dorian looks at the picture and suddenly feels an overwhelming hatred for Basil. He sees a knife lying nearby and picks it up. He walks over and stands behind Basil and stabs him in the neck several times. When he is finished, he hears nothing but blood dripping. He goes to the door and locks it. He is horrified to look at Basil’s body. He goes to the window and sees a policeman outside and an old woman. He tries not to think about what has happen. He picks up the lamp because he knows the servant will miss it from downstairs, and he goes downstairs, locking the door behind him. Everything is quiet in the house. He remembers that Basil was supposed to leave for Paris that night and had even sent his heavy things ahead of him. No one had seen him come back inside after he left his house earlier that evening. No one will begin to wonder about him for months to come. He puts Basil’s bag and coat in a hiding place, the same place where he hides his disguises. Then he puts on his own coat, goes outside, and knocks on the door. His servant opens the door and he asks him what time it is. Then he tells him to wake him at nine the next morning. The servant tells him Mr. Hallward came by and Dorian exclaims over having missed him. Inside his library again, he picks up the Blue Book and finds the name of Alan Campbell. He says this is the man he wants. CHAPTER 14 Dorian Gray wakes with a smile the next morning at nine o’clock, feeling well rested. He gradually recalls the events of the night before. He feels sorry for himself and loathing for Basil. Then he realizes that Basil’s body remains upstairs in he room. He fears that if he thinks too much on what happened he will go crazy. He gets up and spends a long time choosing his outfit and his rings. He has a leisurely breakfast and reads his mail, throwing away a letter from a lover, remembering one of Lord Henry’s misogynist sayings about women, that they have a awful memory. He writes two letters and sends one to Mr. Alan Campbell by his manservant. He smokes a cigarette and sketches for a while, but every face he sketches looks like Basil’s. He lies down on the sofa and tries to read Gautier’s Emaux et Camees. He enjoys the images in the book of the beauties of Venice. It reminds him of his visit there. He was with Basil and he remembers Basil’s joy over the work of Tintoret. He tries to read again and then begins to worry that Alan Campbell might be out of town. Five years ago, he and Alan had been great friends. Now they never speak. Alan always leaves the room when Dorian comes in at any party they both attend. Alan is a scientist, but when he and Dorian were together, he was also in love with music. They were inseparable for a year and a half. Then they quarreled and have not spoken since. Alan has given up music in favor of science. Dorian becomes hysterical with anxiety as he waits. Finally, the servant announces that Mr. Campbell has arrived. Dorian loses all anxiety and plays the part of the gracious host. Alan Campbell is stiff with disapproval and hatred. He wants to know why Dorian has called him. Dorian tells him there is a dead body in a room at the top of the stairs and he needs Campbell to dispose of it. Alan tells him to stop talking. He says he will not turn him in, but that he will not have anything to do with it. Dorian tells him he wants him to do it because of Alan’s knowledge of chemistry. He wants him to change the body into a handful of ashes. He at first says it was a suicide, but then admits that he murdered the man upstairs. Dorian begs him to help and Alan refuses to listen. Finally, when he is sure he can’t convince him, Dorian writes something down and tells Alan to read it. Alan is shocked at what he reads. Dorian says if Alan won’t help him, he will send a letter to someone and ruin Alan’s reputation. He tells Alan he is terribly sorry for him for what he will have to do, but tries to console him by saying he does this sort of thing all the time for the pursuit of science so it shouldn’t be too horrible for him. Finally, Alan says he needs to get things from home. Dorian won’t let him leave. He makes him write down what he needs and sends his servant to get the equipment. Then when it arrives, he sends his servant away for the day to get some orchids in another city. He and Alan carry the equipment upstairs. At the door, Dorian realizes he has left the portrait uncovered for the first time in years. He rushes over to it to cover it. He sees that on the hands, there is a red stain. He covers it and then leaves the room to Alan without looking at the body. Long after seven o’clock that evening, Alan comes downstairs and says it is finished. He says he never wants to see Dorian again. Dorian thanks him sincerely, saying he saved him from ruin. When Campbell leaves, Dorian rushes upstairs and sees there is no trace of the body. CHAPTER 15 That evening, Dorian Gray goes to a dinner party at Lady Narborough’s house. He looks perfectly dressed and perfectly at ease. The party is small and the guests boring. Dorian is relieved when he hears that Lord Henry will be coming. When Lord Henry arrives late, he carries on in his usual way with one aphorism after another much to Lady Narborough’s amusement. Dorian, for his part, cannot even eat. He is noticeably distracted. Lady Narborough asks him several times what is the matter and when the men are left alone after dinner for their cigars, Lord Henry questions him. Lord Henry asks him where he went the night before since he left the party early. Dorian first says he went home, then he says he went to the club, then he corrects himself again and says he walked around until half past two when he got home and had to ask his servant to let him in. The two men chat a little longer. Dorian is planning a party at his country house the next weekend and they discuss the guest list. Dorian is interested in a Duchess and has invited her and her husband. Lord Henry warns him against her, saying she is too smart, and that women are best when they are weak and ignorant. Dorian finally says he must leave. He goes home and opens the hiding place where he has put Basil Hallward’s coat and bag. He puts them on the fire and waits until they are completely burned up. Then he sits and looks at a cabinet for a long time fascinated. Finally, he gets up and gets a Chinese box out of it. He opens it and finds inside a green paste with a heavy odor. He hesitates with a strange smile and then puts the box back and closes the cabinet. He gets dressed and leaves the house. He hails a cab telling the man the address. The cab driver almost refuses since it is too far, but Dorian promises him a huge tip and they drive off toward the river. CHAPTER 16 It is raining and cold as Dorian rides to the outskirts of the city. The ride is extraordinarily long. He hears over and over again Lord Henry’s saying that one can cure the soul by means of the sense and can cure the sense by means of the soul. He heard Lord Henry say that on the first day he met him. He has repeated it often over the years. Tonight it is all he can think of to calm himself through the long drive. The roads get worse and worse. People chase the cab and have to be whipped away by the driver. Finally, they arrive and Dorian gets out. He goes into a building and passes through several dirty and poor rooms. He passes through a bar where a sailor is slumped over a table and two prostitutes are jeering at a crazy old man. He smells the odor of opium and feels relieved. However, when he goes into the opium den, he is unhappily surprised to see Adrian Darlington. Adrian tells him he has no friends any more and doesn’t need them as long as he has opium. Dorian doesn’t want to be in the same place with the young man about whom Basil Hallway had just spoken the night before. He buys Adrian a drink and is bothered by a prostitute. He tells her not to speak to him and gives her money to leave him alone. He tells Adrian to call on him if he ever needs anything and then he leaves. As he is leaving, one of the prostitutes calls out to him "There goes the devil’s bargain." He curses her and she says, "Prince Charming is what you like to be called, ain’t it?" As she says this the sailor who has been asleep jumps up and runs after Dorian. Outside, Dorian is wishing he hadn’t run into Adrian Singleton and cursing fate. He hurries along when he is suddenly grabbed from behind and shoved against the wall. A gun is shoved into his face. Dorian calls out and the man tells him to be quiet. The man tells him to make his peace with God before he dies. He says he is James Vane, brother of Sibyl Vane, who killed herself after Dorian ruined her. He plans to leave for India that night and will kill Dorian before he goes. Dorian suddenly thinks of a way out. He asks James when his sister died. James tells him it was eighteen years ago. Dorian tells James to look at his face under the light. James drags him to the street light and looks at him. He sees a face that is too young to have been a young lover eighteen years ago. H releases Dorian feelings shocked that he might have killed the wrong man. After Dorian is gone, the prostitute comes out of the darkness and tells James he should have killed the man. She says he has made a bargain with the devil to remain looking young. She says the same man had ruined her eighteen years ago and left her to become a prostitute. He is nearly forty years old now. She swears she is telling the truth. He runs away from her but sees no trace of Dorian Gray. CHAPTER 17 It is one week later and Dorian Gray is entertaining guests at his country estate, Selby Royal. He is chatting with the Duchess of Monmouth when Lord Henry interrupts them. Lord Henry has decided to begin calling everyone Gladys as a means to combat the ugliness of names in the modern world. He engages the Duchess in a witty repartee about women and about values in general. The Duchess at one point mentions that Dorian’s color is very poor. He seems not to be feeling well. Dorian tries but does not do well in keeping up with their conversation. Finally, he volunteers to go to the conservatory to get her some orchids for her dress that evening. When he is gone, Lord Henry tells the Duchess that she is flirting disgracefully with Dorian. She jokes with him in return. He teases her that she has a rival in Lady Narborough. She asks Lord Henry to describe women as a sex. He says women are "Sphinxes without secrets." She notices that Dorian is taking a long time and suggests going to find him when they hear a crash. They rush into the conservatory to find Dorian fainted away on the floor. They carry him in to the sofa and he gradually comes awake. He asks Lord Henry if they are safe inside. Lord Henry tells him he just fainted and must stay in his room instead of coming down to dinner. Dorian insists he will come down to dinner. At dinner, he is wildly gay. Every once in a while, he feels a thrill of terror as he recalls the face of James Vane looking at him through the window of the conservatory. CHAPTER 18 The next day, Dorian Gray remains in his house afraid to leave it for fear of being shot by James Vane. The second day brings its own fears as well, but on the third day, Dorian wakes up and feels that he has been imagining things. He tells himself that James Vane has sailed away on his ship and will never find him in life. After breakfast, he talks to the Duchess for an hour in the garden and then he drives across the part to join the shooting party. When he gets close, he sees Geoffrey Clouston, the Duchess’s brother. He joins Geoffrey for a stroll. Suddenly, a rabbit appears out of the bush and Geoffrey aims Страницы: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47 |
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